{"id":62,"date":"2024-05-13T09:15:33","date_gmt":"2024-05-13T09:15:33","guid":{"rendered":"http:\/\/halimeldabh.com\/new_public_html\/?page_id=62"},"modified":"2026-02-17T09:53:27","modified_gmt":"2026-02-17T09:53:27","slug":"catalog-2","status":"publish","type":"page","link":"http:\/\/halimeldabh.com\/new_public_html\/catalog-2\/","title":{"rendered":"Catalog"},"content":{"rendered":"
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\n\"Halim\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div>
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Broadcast Music Incorporated
\nregistered compositions<\/big><\/big>\u00a0<\/span><\/big><\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
.......<\/td>\n1.<\/td>\nAMERICAN MASTERS-BG CUES<\/td>\n<\/tr>\n
<\/td>\n2.<\/td>\nCLYTEMNESTRA<\/td>\n3283638<\/td>\n<\/tr>\n
<\/td>\n3.<\/td>\nDOXASTIKO<\/td>\n339106<\/td>\n<\/tr>\n
<\/td>\n4.<\/td>\nEL DABH SONIC NO 7 AND NO 10 F<\/td>\n362273<\/td>\n<\/tr>\n
<\/td>\n5.<\/td>\nEL DABH-1956<\/td>\n362292<\/td>\n<\/tr>\n
<\/td>\n6.<\/td>\nEL DABH-AAPEP<\/td>\n10512273<\/td>\n<\/tr>\n
<\/td>\n7.<\/td>\nEL DABH-AAPEP AND RA<\/td>\n10512275<\/td>\n<\/tr>\n
<\/td>\n8.<\/td>\nEL DABH-ABONGILA<\/td>\n10512271<\/td>\n<\/tr>\n
<\/td>\n9.<\/td>\nEL DABH-ABONGILA S LOVE<\/td>\n6871590<\/td>\n<\/tr>\n
<\/td>\n10.<\/td>\nEL DABH-ADAMAELARD<\/td>\n10512305<\/td>\n<\/tr>\n
<\/td>\n11.<\/td>\nEL DABH-ADI HEDU<\/td>\n11156333<\/td>\n<\/tr>\n
<\/td>\n12.<\/td>\nEL DABH-ADRIATICA<\/td>\n362189<\/td>\n<\/tr>\n
<\/td>\n13.<\/td>\nEL DABH-AFRA<\/td>\n6871487<\/td>\n<\/tr>\n
<\/td>\n14.<\/td>\nEL DABH-AGAMEMNON<\/td>\n362190<\/td>\n<\/tr>\n
<\/td>\n15.<\/td>\nEL DABH-AH LAH HOU AKBAR FOR O<\/td>\n362191<\/td>\n<\/tr>\n
<\/td>\n16.<\/td>\nEL DABH-ALCIBIADIS MONOLOGUE T<\/td>\n1756886<\/td>\n<\/tr>\n
<\/td>\n17.<\/td>\nEL DABH-ANNOUNCING A NEW BORN<\/td>\n6871583<\/td>\n<\/tr>\n
<\/td>\n18.<\/td>\nEL DABH-ANTHONY AND CLEOPATRA<\/td>\n6871493<\/td>\n<\/tr>\n
<\/td>\n19.<\/td>\nEL DABH-ARABYAAT<\/td>\n6613184<\/td>\n<\/tr>\n
<\/td>\n20.<\/td>\nEL DABH-ARDENNES<\/td>\n362192<\/td>\n<\/tr>\n
<\/td>\n21.<\/td>\nEL DABH-ARIA FOR STRINGS<\/td>\n6588599<\/td>\n<\/tr>\n
<\/td>\n22.<\/td>\nEL DABH-BACCHANALIA FOR ORCHES<\/td>\n362193<\/td>\n<\/tr>\n
<\/td>\n23.<\/td>\nEL DABH-BAHIA FOR TBN AND ORCH<\/td>\n362194<\/td>\n<\/tr>\n
<\/td>\n24.<\/td>\nEL DABH-BALADI EGYPT<\/td>\n362195<\/td>\n<\/tr>\n
<\/td>\n25.<\/td>\nEL DABH-BALLET SUITE NO 1 FOR<\/td>\n362196<\/td>\n<\/tr>\n
<\/td>\n26.<\/td>\nEL DABH-BALLET SUITE NO 2 FOR<\/td>\n362197<\/td>\n<\/tr>\n
<\/td>\n27.<\/td>\nEL DABH-BATAILLE DES PYRANIDES<\/td>\n362198<\/td>\n<\/tr>\n
<\/td>\n28.<\/td>\nEL DABH-BEFEN TEFEN AND FIVE M<\/td>\n8678773<\/td>\n<\/tr>\n
<\/td>\n29.<\/td>\nEL DABH-BEGINNINGS<\/td>\n8343718<\/td>\n<\/tr>\n
<\/td>\n30.<\/td>\nEL DABH-BELLY DANCE CLASSIC<\/td>\n10512307<\/td>\n<\/tr>\n
<\/td>\n31.<\/td>\nEL DABH-BENEATH THE EARTH S FL<\/td>\n362199<\/td>\n<\/tr>\n
<\/td>\n32.<\/td>\nEL DABH-BERCEUSE AMIRA<\/td>\n6589826<\/td>\n<\/tr>\n
<\/td>\n33.<\/td>\nEL DABH-BERCEUSE SHADIA<\/td>\n6589823<\/td>\n<\/tr>\n
<\/td>\n34.<\/td>\nEL DABH-BIG TOOTH ASPEN<\/td>\n2053780<\/td>\n<\/tr>\n
<\/td>\n35.<\/td>\nEL DABH-BIRDS<\/td>\n6871604<\/td>\n<\/tr>\n
<\/td>\n36.<\/td>\nEL DABH-BLACK EPIC<\/td>\n6613196<\/td>\n<\/tr>\n
<\/td>\n37.<\/td>\nEL DABH-BLACK GENESIS<\/td>\n6871497<\/td>\n<\/tr>\n
<\/td>\n38.<\/td>\nEL DABH-BLUE CORAL<\/td>\n11156310<\/td>\n<\/tr>\n
<\/td>\n39.<\/td>\nEL DABH-BLUE SKY TRANSMISSION<\/td>\n6329231<\/td>\n<\/tr>\n
<\/td>\n40.<\/td>\nEL DABH-BORN FROM THE WORLD<\/td>\n362200<\/td>\n<\/tr>\n
<\/td>\n41.<\/td>\nEL DABH-BY YOU WE VE LIVED IN<\/td>\n11156339<\/td>\n<\/tr>\n
<\/td>\n42.<\/td>\nEL DABH-CANDALARIA<\/td>\n362201<\/td>\n<\/tr>\n
<\/td>\n43.<\/td>\nEL DABH-CARRANTUO<\/td>\n362202<\/td>\n<\/tr>\n
<\/td>\n44.<\/td>\nEL DABH-CEREMONIAL FATTENING F<\/td>\n362203<\/td>\n<\/tr>\n
<\/td>\n45.<\/td>\nEL DABH-CHILDREN ARE US<\/td>\n10595198<\/td>\n<\/tr>\n
<\/td>\n46.<\/td>\nEL DABH-CHOOSE LIFE CHOOSE DEA<\/td>\n6329312<\/td>\n<\/tr>\n
<\/td>\n47.<\/td>\nEL DABH-CITADELLE FOR ORCHESTR<\/td>\n362204<\/td>\n<\/tr>\n
<\/td>\n48.<\/td>\nEL DABH-CLEO S SUITE<\/td>\n6871558<\/td>\n<\/tr>\n
<\/td>\n49.<\/td>\nEL DABH-CLEOPATRA<\/td>\n362205<\/td>\n<\/tr>\n
<\/td>\n50.<\/td>\nEL DABH-CLYTEMNESTRA FOR DANCE<\/td>\n362206<\/td>\n<\/tr>\n
<\/td>\n51.<\/td>\nEL DABH-COMA DANCE<\/td>\n6110311<\/td>\n<\/tr>\n
<\/td>\n52.<\/td>\nEL DABH-CONCERTO FOR DERABUCCA<\/td>\n6616785<\/td>\n<\/tr>\n
<\/td>\n53.<\/td>\nEL DABH-CONCERTO FOR DERABUCCA<\/td>\n6588614<\/td>\n<\/tr>\n
<\/td>\n54.<\/td>\nEL DABH-CONVERSATIONS WITH SHU<\/td>\n6588595<\/td>\n<\/tr>\n
<\/td>\n55.<\/td>\nEL DABH-CORTEGE FOR ORCHESTRA<\/td>\n362207<\/td>\n<\/tr>\n
<\/td>\n56.<\/td>\nEL DABH-COW GIRLS INVOKING THE<\/td>\n362208<\/td>\n<\/tr>\n
<\/td>\n57.<\/td>\nEL DABH-COWRY SHELLS IN THE SA<\/td>\n8497742<\/td>\n<\/tr>\n
<\/td>\n58.<\/td>\nEL DABH-CRIMSON ORCHID<\/td>\n11156301<\/td>\n<\/tr>\n
<\/td>\n59.<\/td>\nEL DABH-DANCE DE CITADELLE FOR<\/td>\n362209<\/td>\n<\/tr>\n
<\/td>\n60.<\/td>\nEL DABH-DANCE OF THE SKULL<\/td>\n6329313<\/td>\n<\/tr>\n
<\/td>\n61.<\/td>\nEL DABH-DELUGE<\/td>\n10595178<\/td>\n<\/tr>\n
<\/td>\n62.<\/td>\nEL DABH-DERABUCCA<\/td>\n362210<\/td>\n<\/tr>\n
<\/td>\n63.<\/td>\nEL DABH-DESERT SUITE<\/td>\n10512276<\/td>\n<\/tr>\n
<\/td>\n64.<\/td>\nEL DABH-DESTROY THEM<\/td>\n11156357<\/td>\n<\/tr>\n
<\/td>\n65.<\/td>\nEL DABH-DESTROYER REKHES NEB<\/td>\n11156351<\/td>\n<\/tr>\n
<\/td>\n66.<\/td>\nEL DABH-DIALOGUE FOR BASS AND<\/td>\n362211<\/td>\n<\/tr>\n
<\/td>\n67.<\/td>\nEL DABH-DISSOLUTION OF THE ELE<\/td>\n6329317<\/td>\n<\/tr>\n
<\/td>\n68.<\/td>\nEL DABH-DIVERSION FOR DRUMS><\/td>\n362212<\/td>\n<\/tr>\n
<\/td>\n69.<\/td>\nEL DABH-DOG DONE GONE DEAF<\/td>\n9011158<\/td>\n<\/tr>\n
<\/td>\n70.<\/td>\nEL DABH-DRAGONS AND FLOATING L<\/td>\n362213<\/td>\n<\/tr>\n
<\/td>\n71.<\/td>\nEL DABH-DRINK OF ETERNITY<\/td>\n6613191<\/td>\n<\/tr>\n
<\/td>\n72.<\/td>\nEL DABH-DROOPING FLOWERS<\/td>\n2053783<\/td>\n<\/tr>\n
<\/td>\n73.<\/td>\nEL DABH-DRUM TAKSEEM<\/td>\n6616761<\/td>\n<\/tr>\n
<\/td>\n74.<\/td>\nEL DABH-DUET FOR MODERN AND AF<\/td>\n6616752<\/td>\n<\/tr>\n
<\/td>\n75.<\/td>\nEL DABH-DUO FOR MODERN AND AFR<\/td>\n10595188<\/td>\n<\/tr>\n
<\/td>\n76.<\/td>\nEL DABH-E CERTO<\/td>\n6871571<\/td>\n<\/tr>\n
<\/td>\n77.<\/td>\nEL DABH-EARLY PIECE<\/td>\n1756888<\/td>\n<\/tr>\n
<\/td>\n78.<\/td>\nEL DABH-EGUEYPTO YAAT<\/td>\n6613388<\/td>\n<\/tr>\n
<\/td>\n79.<\/td>\nEL DABH-EGYPTIAN CALYPSO<\/td>\n8272872<\/td>\n<\/tr>\n
<\/td>\n80.<\/td>\nEL DABH-EGYPTIAN SUITE BALLET<\/td>\n6616755<\/td>\n<\/tr>\n
<\/td>\n81.<\/td>\nEL DABH-EL KHAHIRA FOR ORCHEST<\/td>\n362214<\/td>\n<\/tr>\n
<\/td>\n82.<\/td>\nEL DABH-ELECTRONIC DRAMA<\/td>\n362215<\/td>\n<\/tr>\n
<\/td>\n83.<\/td>\nEL DABH-ELECTRONIC FANFARE<\/td>\n362216<\/td>\n<\/tr>\n
<\/td>\n84.<\/td>\nEL DABH-ELECTRONIC FANFARE EXC<\/td>\n362217<\/td>\n<\/tr>\n
<\/td>\n85.<\/td>\nEL DABH-ELECTRONICS AND THE WO<\/td>\n1756882<\/td>\n<\/tr>\n
<\/td>\n86.<\/td>\nEL DABH-ELEMENT BEING AND PRIM<\/td>\n5934783<\/td>\n<\/tr>\n
<\/td>\n87.<\/td>\nEL DABH-ESCHER STAIRCASE<\/td>\n362218<\/td>\n<\/tr>\n
<\/td>\n88.<\/td>\nEL DABH-ETHIOPIAN BLUES<\/td>\n8287023<\/td>\n<\/tr>\n
<\/td>\n89.<\/td>\nEL DABH-EULOGY TO CAIRO S EART<\/td>\n6613377<\/td>\n<\/tr>\n
<\/td>\n90.<\/td>\nEL DABH-EVOLUTION AND DECADENC<\/td>\n6589853<\/td>\n<\/tr>\n
<\/td>\n91.<\/td>\nEL DABH-EYE OF HORUS<\/td>\n362219<\/td>\n<\/tr>\n
<\/td>\n92.<\/td>\nEL DABH-FANTASIA FOR DERABUCCA<\/td>\n362220<\/td>\n<\/tr>\n
<\/td>\n93.<\/td>\nEL DABH-FANTASIA TAHMEEL<\/td>\n362221<\/td>\n<\/tr>\n
<\/td>\n94.<\/td>\nEL DABH-FANTASIE AMIRA<\/td>\n6589835<\/td>\n<\/tr>\n
<\/td>\n95.<\/td>\nEL DABH-FATTA ON EGYPTIAN FOLK<\/td>\n10537860<\/td>\n<\/tr>\n
<\/td>\n96.<\/td>\nEL DABH-FELUCCA THE CELESTIAL<\/td>\n6589859<\/td>\n<\/tr>\n
<\/td>\n97.<\/td>\nEL DABH-FIKRA<\/td>\n6110317<\/td>\n<\/tr>\n
<\/td>\n98.<\/td>\nEL DABH-FIVE BUDDHAS OF HUMOR<\/td>\n6329318<\/td>\n<\/tr>\n
<\/td>\n99.<\/td>\nEL DABH-FLAMES<\/td>\n10595176<\/td>\n<\/tr>\n
<\/td>\n100.<\/td>\nEL DABH-FRIEZE IN BODY MOVEMEN<\/td>\n6613375<\/td>\n<\/tr>\n
<\/td>\n101.<\/td>\nEL DABH-FURIES IN HADES FOR OR<\/td>\n362222<\/td>\n<\/tr>\n
<\/td>\n102.<\/td>\nEL DABH-GLOBAL ORDER<\/td>\n6066323<\/td>\n<\/tr>\n
<\/td>\n103.<\/td>\nEL DABH-GLORIA ATON<\/td>\n362223<\/td>\n<\/tr>\n
<\/td>\n104.<\/td>\nEL DABH-GO DOWN MOSES THE PLAN<\/td>\n362224<\/td>\n<\/tr>\n
<\/td>\n105.<\/td>\nEL DABH-GOD IS<\/td>\n362225<\/td>\n<\/tr>\n
<\/td>\n106.<\/td>\nEL DABH-GOD OH MAGNANIMOUS FOR<\/td>\n362226<\/td>\n<\/tr>\n
<\/td>\n107.<\/td>\nEL DABH-GODDESSES OF THE NILE<\/td>\n362227<\/td>\n<\/tr>\n
<\/td>\n108.<\/td>\nEL DABH-GUARDIAN<\/td>\n11156334<\/td>\n<\/tr>\n
<\/td>\n109.<\/td>\nEL DABH-HABEEB S LULLABY AND R<\/td>\n362228<\/td>\n<\/tr>\n
<\/td>\n110.<\/td>\nEL DABH-HAIRY SEEDS IN THE WIN<\/td>\n2053774<\/td>\n<\/tr>\n
<\/td>\n111.<\/td>\nEL DABH-HAJER<\/td>\n6871575<\/td>\n<\/tr>\n
<\/td>\n112.<\/td>\nEL DABH-HARMONIES OF THE SPHER<\/td>\n362229<\/td>\n<\/tr>\n
<\/td>\n113.<\/td>\nEL DABH-HE IS ALIVE<\/td>\n11156359<\/td>\n<\/tr>\n
<\/td>\n114.<\/td>\nEL DABH-HELA HALLAH<\/td>\n8287019<\/td>\n<\/tr>\n
<\/td>\n115.<\/td>\nEL DABH-HERE I NAMED YOU<\/td>\n11156349<\/td>\n<\/tr>\n
<\/td>\n116.<\/td>\nEL DABH-HET HUI HET<\/td>\n11156341<\/td>\n<\/tr>\n
<\/td>\n117.<\/td>\nEL DABH-HET HUI NE<\/td>\n11156342<\/td>\n<\/tr>\n
<\/td>\n118.<\/td>\nEL DABH-HINDI YAAT NO 1 FOR PE<\/td>\n362230<\/td>\n<\/tr>\n
<\/td>\n119.<\/td>\nEL DABH-HOMAGE TO MUHAMMED ALI<\/td>\n6588538<\/td>\n<\/tr>\n
<\/td>\n120.<\/td>\nEL DABH-HUD HUD<\/td>\n362231<\/td>\n<\/tr>\n
<\/td>\n121.<\/td>\nEL DABH-I TOUCHED A SINGLE RAY<\/td>\n6588501<\/td>\n<\/tr>\n
<\/td>\n122.<\/td>\nEL DABH-IFRIQIYAAT<\/td>\n7106214<\/td>\n<\/tr>\n
<\/td>\n123.<\/td>\nEL DABH-IN SEARCH OF THREE GOD<\/td>\n10512278<\/td>\n<\/tr>\n
<\/td>\n124.<\/td>\nEL DABH-IN THE VALLEY OF THE N<\/td>\n5934791<\/td>\n<\/tr>\n
<\/td>\n125.<\/td>\nEL DABH-INSIDE AND OUTSIDE OF<\/td>\n362232<\/td>\n<\/tr>\n
<\/td>\n126.<\/td>\nEL DABH-INSTRUMENTAL INTRODUCT<\/td>\n11156365<\/td>\n<\/tr>\n
<\/td>\n127.<\/td>\nEL DABH-INTIMACY<\/td>\n8899739<\/td>\n<\/tr>\n
<\/td>\n128.<\/td>\nEL DABH-INVISIBLE BRIDGE<\/td>\n8899743<\/td>\n<\/tr>\n
<\/td>\n129.<\/td>\nEL DABH-IPHIGENIA BALLET SUITE<\/td>\n362233<\/td>\n<\/tr>\n
<\/td>\n130.<\/td>\nEL DABH-ISIS AND THE SEVEN SCO<\/td>\n8678805<\/td>\n<\/tr>\n
<\/td>\n131.<\/td>\nEL DABH-IT IS DARK AND DAMP ON<\/td>\n5934788<\/td>\n<\/tr>\n
<\/td>\n132.<\/td>\nEL DABH-IYA UM TURU ATUM<\/td>\n11156362<\/td>\n<\/tr>\n
<\/td>\n133.<\/td>\nEL DABH-JADE FLUTE<\/td>\n362234<\/td>\n<\/tr>\n
<\/td>\n134.<\/td>\nEL DABH-JANGADA BRAZIL<\/td>\n362235<\/td>\n<\/tr>\n
<\/td>\n135.<\/td>\nEL DABH-JAPANESE GHOST<\/td>\n362236<\/td>\n<\/tr>\n
<\/td>\n136.<\/td>\nEL DABH-JOURNEY THROUGH THE CE<\/td>\n6613370<\/td>\n<\/tr>\n
<\/td>\n137.<\/td>\nEL DABH-JURA<\/td>\n362237<\/td>\n<\/tr>\n
<\/td>\n138.<\/td>\nEL DABH-JUXTAPOSITION NO 1 FOR<\/td>\n362238<\/td>\n<\/tr>\n
<\/td>\n139.<\/td>\nEL DABH-KALABSHA ON RIVER NILE<\/td>\n362239<\/td>\n<\/tr>\n
<\/td>\n140.<\/td>\nEL DABH-KHATU EM PET<\/td>\n11156336<\/td>\n<\/tr>\n
<\/td>\n141.<\/td>\nEL DABH-KHERSEK SHU<\/td>\n11156340<\/td>\n<\/tr>\n
<\/td>\n142.<\/td>\nEL DABH-KITAKAMI<\/td>\n362240<\/td>\n<\/tr>\n
<\/td>\n143.<\/td>\nEL DABH-KYRIE FOR THE BISHOP O<\/td>\n6871567<\/td>\n<\/tr>\n
<\/td>\n144.<\/td>\nEL DABH-LA NUIT TAMBE SUR LE N<\/td>\n362241<\/td>\n<\/tr>\n
<\/td>\n145.<\/td>\nEL DABH-LAMENT AND EULOGY TO F<\/td>\n6538524<\/td>\n<\/tr>\n
<\/td>\n146.<\/td>\nEL DABH-LAMENTATION DE PHARAOH<\/td>\n362242<\/td>\n<\/tr>\n
<\/td>\n147.<\/td>\nEL DABH-LEGEND<\/td>\n6588541<\/td>\n<\/tr>\n
<\/td>\n148.<\/td>\nEL DABH-LEGEND FOR PIANO<\/td>\n11156216<\/td>\n<\/tr>\n
<\/td>\n149.<\/td>\nEL DABH-LEGEND FOR PIANO EXC<\/td>\n11156217<\/td>\n<\/tr>\n
<\/td>\n150.<\/td>\nEL DABH-LEIYLA AND THE POET<\/td>\n362244<\/td>\n<\/tr>\n
<\/td>\n151.<\/td>\nEL DABH-LEIYLA FOR MALE VOICES<\/td>\n362243<\/td>\n<\/tr>\n
<\/td>\n152.<\/td>\nEL DABH-LEIYLA VISITATIONS<\/td>\n1756879<\/td>\n<\/tr>\n
<\/td>\n153.<\/td>\nEL DABH-LITTLE GIRL AND THE MY><\/td>\n362245<\/td>\n<\/tr>\n
<\/td>\n154.<\/td>\nEL DABH-LOGAN<\/td>\n362246<\/td>\n<\/tr>\n
<\/td>\n155.<\/td>\nEL DABH-LOOK AT LIGHTNING<\/td>\n362247<\/td>\n<\/tr>\n
<\/td>\n156.<\/td>\nEL DABH-LOTUS<\/td>\n6588606<\/td>\n<\/tr>\n
<\/td>\n157.<\/td>\nEL DABH-LUCIFER<\/td>\n362248<\/td>\n<\/tr>\n
<\/td>\n158.<\/td>\nEL DABH-MA A A A A A AT<\/td>\n11156331<\/td>\n<\/tr>\n
<\/td>\n159.<\/td>\nEL DABH-MAAT<\/td>\n8287021<\/td>\n<\/tr>\n
<\/td>\n160.<\/td>\nEL DABH-MARCHE<\/td>\n6110314<\/td>\n<\/tr>\n
<\/td>\n161.<\/td>\nEL DABH-MARCHING TO CENTURY 21<\/td>\n10595184<\/td>\n<\/tr>\n
<\/td>\n162.<\/td>\nEL DABH-MASS<\/td>\n6871573<\/td>\n<\/tr>\n
<\/td>\n163.<\/td>\nEL DABH-MEDITATION ON THE NILE<\/td>\n6588533<\/td>\n<\/tr>\n
<\/td>\n164.<\/td>\nEL DABH-MEDITATION ON WHITE SO<\/td>\n1756891<\/td>\n<\/tr>\n
<\/td>\n165.<\/td>\nEL DABH-MEITOSIS ON THE RISE<\/td>\n362249<\/td>\n<\/tr>\n
<\/td>\n166.<\/td>\nEL DABH-MEKTA IN THE ART OF KI<\/td>\n6871627<\/td>\n<\/tr>\n
<\/td>\n167.<\/td>\nEL DABH-MEKTA IN THE ART OF KI<\/td>\n362250<\/td>\n<\/tr>\n
<\/td>\n168.<\/td>\nEL DABH-MEMORIES<\/td>\n11156292<\/td>\n<\/tr>\n
<\/td>\n169.<\/td>\nEL DABH-MERT NUT<\/td>\n10595194<\/td>\n<\/tr>\n
<\/td>\n170.<\/td>\nEL DABH-MICHAEL AND THE DRAGON<\/td>\n1756889<\/td>\n<\/tr>\n
<\/td>\n171.<\/td>\nEL DABH-MIRACULOUS TALE<\/td>\n8899746<\/td>\n<\/tr>\n
<\/td>\n172.<\/td>\nEL DABH-MISRIYAAT<\/td>\n7106211<\/td>\n<\/tr>\n
<\/td>\n173.<\/td>\nEL DABH-MOSAIC NO 1 FOR PIANO<\/td>\n362251<\/td>\n<\/tr>\n
<\/td>\n174.<\/td>\nEL DABH-MOSAIQUE FOR ORCHESTRA<\/td>\n362252<\/td>\n<\/tr>\n
<\/td>\n175.<\/td>\nEL DABH-MULTICOLORED SONATA<\/td>\n6096737<\/td>\n<\/tr>\n
<\/td>\n176.<\/td>\nEL DABH-MUSIC OF THE PYRAMIDS<\/td>\n6871624<\/td>\n<\/tr>\n
<\/td>\n177.<\/td>\nEL DABH-MY FOOT JARRED THE STO<\/td>\n6066324<\/td>\n<\/tr>\n
<\/td>\n178.<\/td>\nEL DABH-NANDA DEVI<\/td>\n362254<\/td>\n<\/tr>\n
<\/td>\n179.<\/td>\nEL DABH-NATIONAL ANTHEM TO MOH<\/td>\n10595179<\/td>\n<\/tr>\n
<\/td>\n180.<\/td>\nEL DABH-NEW RENAISSANCE<\/td>\n362255<\/td>\n<\/tr>\n
<\/td>\n181.<\/td>\nEL DABH-NOMADIC WAVES<\/td>\n362256<\/td>\n<\/tr>\n
<\/td>\n182.<\/td>\nEL DABH-OGUN<\/td>\n5934787<\/td>\n<\/tr>\n
<\/td>\n183.<\/td>\nEL DABH-ON THE SHORES OF MADEI<\/td>\n11156306<\/td>\n<\/tr>\n
<\/td>\n184.<\/td>\nEL DABH-ON THIS PLANET WE CALL<\/td>\n362257<\/td>\n<\/tr>\n
<\/td>\n185.<\/td>\nEL DABH-ONE MORE GAUDY NIGHT<\/td>\n362258<\/td>\n<\/tr>\n
<\/td>\n186.<\/td>\nEL DABH-OPENING THE GATE<\/td>\n6329319<\/td>\n<\/tr>\n
<\/td>\n187.<\/td>\nEL DABH-OPERA FLIES<\/td>\n6075777<\/td>\n<\/tr>\n
<\/td>\n188.<\/td>\nEL DABH-OPERA FLIES EXC<\/td>\n6082203<\/td>\n<\/tr>\n
<\/td>\n189.<\/td>\nEL DABH-ORAGE FOR ORCHESTRA<\/td>\n362259<\/td>\n<\/tr>\n
<\/td>\n190.<\/td>\nEL DABH-ORCHESTRAL INTRODUCTIO<\/td>\n11156367<\/td>\n<\/tr>\n
<\/td>\n191.<\/td>\nEL DABH-OSARI OSARI<\/td>\n11156338<\/td>\n<\/tr>\n
<\/td>\n192.<\/td>\nEL DABH-OSCILLATION<\/td>\n362260<\/td>\n<\/tr>\n
<\/td>\n193.<\/td>\nEL DABH-OSIRIS RESURRECTION<\/td>\n6538544<\/td>\n<\/tr>\n
<\/td>\n194.<\/td>\nEL DABH-OSIRIS RITUAL<\/td>\n11156323<\/td>\n<\/tr>\n
<\/td>\n195.<\/td>\nEL DABH-OSMO SYMBIOTIC<\/td>\n5934785<\/td>\n<\/tr>\n
<\/td>\n196.<\/td>\nEL DABH-PANORAMA AND FINALE FO<\/td>\n362261<\/td>\n<\/tr>\n
<\/td>\n197.<\/td>\nEL DABH-PANORAMA DES REVOLUTION<\/td>\n362262<\/td>\n<\/tr>\n
<\/td>\n198.<\/td>\nEL DABH-PARTITA POLY OBLIGATI<\/td>\n6871596<\/td>\n<\/tr>\n
<\/td>\n199.<\/td>\nEL DABH-PIERRE JUSQU AU CIEL<\/td>\n362263<\/td>\n<\/tr>\n
<\/td>\n200.<\/td>\nEL DABH-PIROUETTE<\/td>\n1756884<\/td>\n<\/tr>\n
<\/td>\n201.<\/td>\nEL DABH-POMEGRANATE CONCERTO<\/td>\n10489417<\/td>\n<\/tr>\n
<\/td>\n202.<\/td>\nEL DABH-POMEGRANATE CONCERTO E<\/td>\n10489452<\/td>\n<\/tr>\n
<\/td>\n203.<\/td>\nEL DABH-PRELUDE SHEROUDE<\/td>\n362264<\/td>\n<\/tr>\n
<\/td>\n204.<\/td>\nEL DABH-PREMORDIAL CHANT OF NU<\/td>\n6329263<\/td>\n<\/tr>\n
<\/td>\n205.<\/td>\nEL DABH-PRIERE AU SPHINX<\/td>\n362265<\/td>\n<\/tr>\n
<\/td>\n206.<\/td>\nEL DABH-PTAHMOSE AND THE MAGIC<\/td>\n362266<\/td>\n<\/tr>\n
<\/td>\n207.<\/td>\nEL DABH-QUEST<\/td>\n8272820<\/td>\n<\/tr>\n
<\/td>\n208.<\/td>\nEL DABH-RA CREATION<\/td>\n11156337<\/td>\n<\/tr>\n
<\/td>\n209.<\/td>\nEL DABH-RAMSSES THE GREAT<\/td>\n362267<\/td>\n<\/tr>\n
<\/td>\n210.<\/td>\nEL DABH-RAMSSES THE GREAT EXC<\/td>\n4022937<\/td>\n<\/tr>\n
<\/td>\n211.<\/td>\nEL DABH-REAPPEARANCE OF THE LO<\/td>\n6003588<\/td>\n<\/tr>\n
<\/td>\n212.<\/td>\nEL DABH-RHAPSODIA EGYPTIA BRAS<\/td>\n6589846<\/td>\n<\/tr>\n
<\/td>\n213.<\/td>\nEL DABH-RIVERS IN CONFLUENCE<\/td>\n6588585<\/td>\n<\/tr>\n
<\/td>\n214.<\/td>\nEL DABH-RUN TOTTOT MEN<\/td>\n11156345<\/td>\n<\/tr>\n
<\/td>\n215.<\/td>\nEL DABH-RUN TOTTOT WOMEN<\/td>\n11156343<\/td>\n<\/tr>\n
<\/td>\n216.<\/td>\nEL DABH-SAILING WIND<\/td>\n10894878<\/td>\n<\/tr>\n
<\/td>\n217.<\/td>\nEL DABH-SALADIN FOR ORCHESTRA<\/td>\n362268<\/td>\n<\/tr>\n
<\/td>\n218.<\/td>\nEL DABH-SALMA<\/td>\n362269<\/td>\n<\/tr>\n
<\/td>\n219.<\/td>\nEL DABH-SAMSARA CHANT<\/td>\n6329315<\/td>\n<\/tr>\n
<\/td>\n220.<\/td>\nEL DABH-SAYERA<\/td>\n8345544<\/td>\n<\/tr>\n
<\/td>\n221.<\/td>\nEL DABH-SECRETS OF THE SKY AND<\/td>\n3911237<\/td>\n<\/tr>\n
<\/td>\n222.<\/td>\nEL DABH-SENUSRE AND THE CHILDR<\/td>\n11156325<\/td>\n<\/tr>\n
<\/td>\n223.<\/td>\nEL DABH-SHADES AND SHADOW<\/td>\n362270<\/td>\n<\/tr>\n
<\/td>\n224.<\/td>\nEL DABH-SHALL ON EGYPTIAN FOLK<\/td>\n10537859<\/td>\n<\/tr>\n
<\/td>\n225.<\/td>\nEL DABH-SHE IS A GODDESS<\/td>\n11156354<\/td>\n<\/tr>\n
<\/td>\n226.<\/td>\nEL DABH-SIGNALS CONNECTIONS<\/td>\n8287020<\/td>\n<\/tr>\n
<\/td>\n227.<\/td>\nEL DABH-SMAI NYOUI<\/td>\n11156335<\/td>\n<\/tr>\n
<\/td>\n228.<\/td>\nEL DABH-SOBEK THE CROCODILE<\/td>\n2053777<\/td>\n<\/tr>\n
<\/td>\n229.<\/td>\nEL DABH-SOLO FOR DERABUCCA<\/td>\n8272817<\/td>\n<\/tr>\n
<\/td>\n230.<\/td>\nEL DABH-SON ET LUMIERE FOR ORC<\/td>\n362271<\/td>\n<\/tr>\n
<\/td>\n231.<\/td>\nEL DABH-SONG DEDICATED TO CYRI<\/td>\n8287022<\/td>\n<\/tr>\n
<\/td>\n232.<\/td>\nEL DABH-SONIC NO 10 FOR DERABU<\/td>\n362272<\/td>\n<\/tr>\n
<\/td>\n233.<\/td>\nEL DABH-SONIC NO 7 FOR DERABUC<\/td>\n362274<\/td>\n<\/tr>\n
<\/td>\n234.<\/td>\nEL DABH-SOUFIANE<\/td>\n10595181<\/td>\n<\/tr>\n
<\/td>\n235.<\/td>\nEL DABH-SPECTRUM NO 1 FOR ORCH<\/td>\n362275<\/td>\n<\/tr>\n
<\/td>\n236.<\/td>\nEL DABH-SPIRAL SPIRIT<\/td>\n6871557<\/td>\n<\/tr>\n
<\/td>\n237.<\/td>\nEL DABH-STELLAE OF AXUM<\/td>\n8287017<\/td>\n<\/tr>\n
<\/td>\n238.<\/td>\nEL DABH-STEP FIVE MOVE RIGHT<\/td>\n11156347<\/td>\n<\/tr>\n
<\/td>\n239.<\/td>\nEL DABH-STOP THE FIGHTIN<\/td>\n11156352<\/td>\n<\/tr>\n
<\/td>\n240.<\/td>\nEL DABH-STRING QUARTET NO 1<\/td>\n6588582<\/td>\n<\/tr>\n
<\/td>\n241.<\/td>\nEL DABH-SUITE<\/td>\n1756885<\/td>\n<\/tr>\n
<\/td>\n242.<\/td>\nEL DABH-SURRR RAH<\/td>\n5934782<\/td>\n<\/tr>\n
<\/td>\n243.<\/td>\nEL DABH-SWEET AND PRICKLY PEAR<\/td>\n6871501<\/td>\n<\/tr>\n
<\/td>\n244.<\/td>\nEL DABH-SYMPHONY FOR 1000 DRUM<\/td>\n9011100<\/td>\n<\/tr>\n
<\/td>\n245.<\/td>\nEL DABH-SYMPHONY NO 1<\/td>\n6871486<\/td>\n<\/tr>\n
<\/td>\n246.<\/td>\nEL DABH-SYMPHONY NO 2<\/td>\n6588589<\/td>\n<\/tr>\n
<\/td>\n247.<\/td>\nEL DABH-SYMPHONY NO 3<\/td>\n362276<\/td>\n<\/tr>\n
<\/td>\n248.<\/td>\nEL DABH-TABLA DANCE FOR PERCUS<\/td>\n362277<\/td>\n<\/tr>\n
<\/td>\n249.<\/td>\nEL DABH-TABLA TAHMEEL NO 1 FOR<\/td>\n362278<\/td>\n<\/tr>\n
<\/td>\n250.<\/td>\nEL DABH-TAFTA HINDI MUTAWASET<\/td>\n11178974<\/td>\n<\/tr>\n
<\/td>\n251.<\/td>\nEL DABH-TAHMEELA FOR ORCHESTRA<\/td>\n362279<\/td>\n<\/tr>\n
<\/td>\n252.<\/td>\nEL DABH-TAHMEELA FOR SOPRANO A<\/td>\n362280<\/td>\n<\/tr>\n
<\/td>\n253.<\/td>\nEL DABH-TARKEEB KHOUMASSI WAZN<\/td>\n10512280<\/td>\n<\/tr>\n
<\/td>\n254.<\/td>\nEL DABH-TEMPEST FOR ORCHESTRA<\/td>\n362281<\/td>\n<\/tr>\n
<\/td>\n255.<\/td>\nEL DABH-TENNISH MAK KED DA<\/td>\n6588497<\/td>\n<\/tr>\n
<\/td>\n256.<\/td>\nEL DABH-TEY LEY LE LEY LEM<\/td>\n6329237<\/td>\n<\/tr>\n
<\/td>\n257.<\/td>\nEL DABH-THAMOS KING OF EGYPT<\/td>\n9011147<\/td>\n<\/tr>\n
<\/td>\n258.<\/td>\nEL DABH-THERE IS NO LIGHT FROM<\/td>\n6329242<\/td>\n<\/tr>\n
<\/td>\n259.<\/td>\nEL DABH-THIRSTY IN A LAND OF P<\/td>\n362282<\/td>\n<\/tr>\n
<\/td>\n260.<\/td>\nEL DABH-THULATHIYA FOR VIOLA O<\/td>\n362284<\/td>\n<\/tr>\n
<\/td>\n261.<\/td>\nEL DABH-THUMANIYA FOR OCTET<\/td>\n362285<\/td>\n<\/tr>\n
<\/td>\n262.<\/td>\nEL DABH-TO THE LETTER OF HIS N<\/td>\n6066326<\/td>\n<\/tr>\n
<\/td>\n263.<\/td>\nEL DABH-TONOGRAPHY FOR CLARINE<\/td>\n362286<\/td>\n<\/tr>\n
<\/td>\n264.<\/td>\nEL DABH-TOY MIRRORS AND DREAMS<\/td>\n6329246<\/td>\n<\/tr>\n
<\/td>\n265.<\/td>\nEL DABH-TRIPTYCH TO SEGOVIA<\/td>\n6066332<\/td>\n<\/tr>\n
<\/td>\n266.<\/td>\nEL DABH-TROIS THEMES PHARAONIQ<\/td>\n362253<\/td>\n<\/tr>\n
<\/td>\n267.<\/td>\nEL DABH-TWIGS<\/td>\n2053785<\/td>\n<\/tr>\n
<\/td>\n268.<\/td>\nEL DABH-TWO MINUTES TRIO<\/td>\n10512303<\/td>\n<\/tr>\n
<\/td>\n269.<\/td>\nEL DABH-UNDER THE MOONLIGHT<\/td>\n11156312<\/td>\n<\/tr>\n
<\/td>\n270.<\/td>\nEL DABH-UNNATURAL ACTS<\/td>\n6871490<\/td>\n<\/tr>\n
<\/td>\n271.<\/td>\nEL DABH-VENICE<\/td>\n1756881<\/td>\n<\/tr>\n
<\/td>\n272.<\/td>\nEL DABH-VILLAGE AWAKENING<\/td>\n362287<\/td>\n<\/tr>\n
<\/td>\n273.<\/td>\nEL DABH-VISION AT THE CROSSROA<\/td>\n362288<\/td>\n<\/tr>\n
<\/td>\n274.<\/td>\nEL DABH-WALI FOR ORCHESTRA<\/td>\n362289<\/td>\n<\/tr>\n
<\/td>\n275.<\/td>\nEL DABH-WALKING ON THE SIDEWAL<\/td>\n6096698<\/td>\n<\/tr>\n
<\/td>\n276.<\/td>\nEL DABH-WEDDING MUSIC<\/td>\n6613367<\/td>\n<\/tr>\n
<\/td>\n277.<\/td>\nEL DABH-WEDDING TIME<\/td>\n6613366<\/td>\n<\/tr>\n
<\/td>\n278.<\/td>\nEL DABH-WIRE RECORDER PIECE<\/td>\n5934784<\/td>\n<\/tr>\n
<\/td>\n279.<\/td>\nEL DABH-WRATHFUL FIERCE BUDDHA<\/td>\n6329307<\/td>\n<\/tr>\n
<\/td>\n280.<\/td>\nEL DABH-XANGO<\/td>\n362290<\/td>\n<\/tr>\n
<\/td>\n281.<\/td>\nEL DABH-YA GAMUL YA NASSER<\/td>\n6871597<\/td>\n<\/tr>\n
<\/td>\n282.<\/td>\nEL DABH-YA NAKHLETANE ON EGYPT<\/td>\n10537861<\/td>\n<\/tr>\n
<\/td>\n283.<\/td>\nEL DABH-YOU HAVE DANCED<\/td>\n11156361<\/td>\n<\/tr>\n
<\/td>\n284.<\/td>\nEL DABH-YULEI<\/td>\n362291<\/td>\n<\/tr>\n
<\/td>\n285.<\/td>\nEL DABH-MURAILLE DE SALDIN<\/td>\n1023658<\/td>\n<\/tr>\n
<\/td>\n286.<\/td>\nEL DABH-VOYAGES<\/td>\n6153278<\/td>\n<\/tr>\n
<\/td>\n287.<\/td>\nEL DABH-BASTET THE CAT<\/td>\n#<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n<\/div><\/div><\/div>
<\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Broadcast Music Incorporated registered compositions\u00a0 ……. 1. AMERICAN MASTERS-BG CUES 2. CLYTEMNESTRA 3283638 3. DOXASTIKO 339106 4. EL DABH SONIC NO 7 AND NO 10 F 362273 5. EL DABH-1956 362292 6. EL DABH-AAPEP 10512273 7. EL DABH-AAPEP AND RA 10512275 8. EL DABH-ABONGILA 10512271 9. EL DABH-ABONGILA S LOVE 6871590 10. EL DABH-ADAMAELARD 10512305 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-62","page","type-page","status-publish","hentry","content-columns-1"],"_links":{"self":[{"href":"http:\/\/halimeldabh.com\/new_public_html\/wp-json\/wp\/v2\/pages\/62","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/halimeldabh.com\/new_public_html\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/halimeldabh.com\/new_public_html\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/halimeldabh.com\/new_public_html\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/halimeldabh.com\/new_public_html\/wp-json\/wp\/v2\/comments?post=62"}],"version-history":[{"count":15,"href":"http:\/\/halimeldabh.com\/new_public_html\/wp-json\/wp\/v2\/pages\/62\/revisions"}],"predecessor-version":[{"id":431,"href":"http:\/\/halimeldabh.com\/new_public_html\/wp-json\/wp\/v2\/pages\/62\/revisions\/431"}],"wp:attachment":[{"href":"http:\/\/halimeldabh.com\/new_public_html\/wp-json\/wp\/v2\/media?parent=62"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}